Before we get to Bill Donohue, let's say a bit more about the film.

Recently my wife and I saw Philomena a film inspired by the heartfelt story of the real life Philomena Lee, who was a single Irish teenage girl who got pregnant in the early 1950s, and as was too often the case at that time, banished by her family to live a very stern existence in a convent. She worked seven days a week in the now notorious Magdalena laundry (which was viewed as "penance").

Philomena gave birth to a son, Anthony, while living at the convent. Working grueling hours, she was only allowed to see Anthony one hour a day. Young Anthony was soon adopted and taken to live in the United States. She wasn't even given an opportunity to say goodbye to her child, leaving her devastated.

Most of the story is seen through flashback. Fifty years later Philomena - who remained a deeply religious Catholic -- wants to know became of her son. After a couple glasses of wine one night she finally tells her daughter about her older half-brother. Through her, Philomena convinces a former BBC reporter, Martin Sixsmith -- a very lapsed Catholic turned atheist -- to write a book about her experience and help her find her son. Their journey takes them back to the convent where it all began. There, the nuns tell her that they cannot help her - which is, as the film later shows, a complete mendacity.

The film's next segment is a trip to America (not based on actual events) where the two learn that her son grew up in Chicago, became a successful attorney and went on to work in the White House of George H. W. Bush.  She also learns that her son was gay and died of AIDS in 1995.

But his death is not only unsettling news. Contrary to what Lee and Sixsmith were told when they first visited the convent, Philomena's son not only also came there looking for his birth mother but was actually buried on its premises.

Throughout the film there is a tension about faith and forgiveness. Sixsmith has become increasingly bitter towards the church (when Philomena is looking for a church where she could go to confession, he tells her, "The Catholic Church should go to confession, not you!"). The title character, however, takes a different path. She is able to separate the hierarchy from the body of the Church - the rank and file engaging in belief.

Which brings us to Bill Donohue who cannot help but attack the film in ways that range from petty to vicious.

In a press release, for example, the Catholic League president labeled the film "bunk" and "propaganda." In an op-ed he attempted to paint the entire project as a giant falsehood by noting, "The film and the book also maintain that Philomena went to the United States to find her son, but this is patently untrue: she never set foot in America looking for him." But even as Donohue is well aware, the film never claims to be a non-fiction account. Indeed, the film prominently acknowledges that the story was "inspired by actual events."

During the Oscar season he issued a further attack on the film. In it, he commented on how Philomena revealed her secret over a few drinks on Christmas 2004. He then falsely suggests that she had sworn herself to secrecy and that excessive amounts of alcohol was the real culprit.

This is not to say there was no secrecy. However, it was Philomena, not the nuns, who were tight lipped: she swore herself to secrecy, never telling her children what happened when she was a teenager. Alcohol changed that.

He then tries to blame it all on atheism:

[Martin] Sixsmith does not say whether Philomena was also bombed when they met,  though he said it was at a New Year's party that same year. Lucky for her, she found an atheist willing to buy her tale.

Donohue goes on to raise other issues - many of them (such as disputing how the young women were treated in the laundries) - are easily refuted including by the Irish government. But he avoids the film's main criticism: the convent's false pleas of ignorance in response to a dying son and a searching mother looking for each other. Bill's angry bluster over how both the hierarchy and the Church as an institution are portrayed almost seem to be an intended distraction from the film's central question: what justifies separating a mother and child from each other? That is a question Donohue will not even attempt to answer.

Philomena and Sixsmith confront Sister Hildegarde near the end of the film (A juncture where the film takes license order to inject Philomena's final judgment of her actions; the actual nun in question passed away in 1995). She is unrepentant for having given away Philomena's son fifty years before -- arguing that Philomena and the other mothers' penance for their sins was the loss of their children. When Philomena nevertheless forgives the bitter old nun -- an incredulous Sixsmith protests.  "But I don't wanna hate people," Philomena explains. "I don't wanna be like you. Look at you."  And when he responds by saying that he's angry, she mutters. "Must be exhausting."

Catholic means "universal" or "all encompassing." But the priorities and interests of Donohue's "Catholic League" are far from universal. As I've written time and time again, Donohue and friends seek to advance a specific cultural and political agenda. Culturally, he speaks for the highly conservative portion of the hierarchy that has no use for flexibility, transparency and accountability. The body of the Catholic Church is not just the hierarchy or a certain group of nuns; it is the entire church mostly made up of people such as Philomena Lee.

Politically, Donohue is a "top-down" person. He has deep ties to movement conservatism - including being an adjunct scholar with the Heritage Foundation. The Catholic League's Board of Advisers reads as a neoconservative Who's Who list). More often than not, Donohue's Catholicism dovetails nicely with secular political considerations of the Right (this was recently on full display when Donohue recently described Pope Francis's economics as a form of Marxism).

Bill Donohue will angrily scowl, brow-beat and even resort to hateful language in pursuit of his goals. His method is on vivid display in his war on Philomena.

It must be exhausting to be Bill Donohue.